These stylish helmets are the world’s first helmets to feature Elite Diamond Concept coating and 24 carat gold leaf finishing and are a result of a collaboration between Liquid Colour Design and artist Bradon Seaber, a long time friend of LCD.
Liquid Colour Design are a bespoke paint shop and studio and recipients of the 2017 House of Kolor Prestigious Painter award in 2017. In their studio, located in the village of Ballycarry, Co. Antrim, Iain Baldwin oversaw the application of the luxurious paint finish and the gold leaf. Working to designs produced by Brandon Seaber Designs both the red and blue helmet were produced over a period of two weeks.
The coating protecting the paint work and the gold leaf is a highly specialised coating produced by Elite Diamond Concept. This uniquely shiny and extra-tough finish incorporates glass and diamond flakes to make for an incredible finish. This Elite Diamond Concept Coating was developed for high-end interiors, such as luxury yachts and jet aircraft!
The bespoke paint and gold leaf finish on these helmets was designed for renowned Italian racing driver, Raffaele Marciello. He’s not the first driver Iain’s studio has painted helmets for, previous clients include former F1 driver Martin Brundle and WRC driver Kris Meeke! In addition, Iain’s specialist studio also handles other vehicle artwork, including bespoke liveries for trucks, cars and aircraft.
Kensington Gilders, a longtime customer of ours, have recently completed another prestigious project. The client they’ve added to their portfolio of high-profile and high-end work is none other than the British Museum. As part of their ongoing restoration and refurbishment of the Chinese and South Asia room they called upon Kensington Gilders for their gilding expertise. The goal of the project was to gild the large walls of the room to create a stunning backdrop for the exhibition of the collection of amazing antiquities.
The complex project took place over many months and presented several unique challenges. First, was matching the freshly gilded gold with the old gilding. For this project we supplied only the finest, superior quality 23.5ct gold transfer leaf manufactured in Italy. Matching gilding like this can prove a real challenge, particularly when the original gilding is old. The expertise of Kensington Gilders rose to the challenge and showed itself. They were able to meticulously select glazes and varnishes to apply over the leaf to match the new gilding to the old.
Another challenge was the ongoing works happening around them! Gilding is a precise craft and requires clean surfaces and conditions for the best effect. Dust and grime contaminating the gold size can lead to flawed, or even flaking gilding. Despite working amongst the ongoing renovation and other tradespeople making dust they were able to deliver a superb job. The key to this was the perseverance and will to succeed and deliver a perfect job from all the members of the team at Kensington Gilders.
This project was overseen by Forcia, who were able to successfully coordinate the mammoth undertaking. The completion of the project was on time for its grand opening by Queen Elizabeth II and is now open to the public.
“I was extremely pleased with the service provided by Kensington Gilders. They worked very hard on a tricky site, under less than ideal conditions, but have left us with a superb end product. Their good humour and perseverance was extremely well received, and the dedication to their craft is evident in the high quality work that they produced.”
Jonathan Lubikowski – Project Manager – British Museum.
If you would like to see more of the magnificent work Kensington Gilders have done over the years or if you are interested in learning more about the company itself then you can visit their website at kensingtongilders.co.uk
It’s always a pleasure to feature Emma’s work on our blog. We’ve had the privilege of supplying her for a number of years now and we’re always blown away by the creativity and quality of the finishes she creates. Emma is a talented designer who creates unique verre églomisé (or reverse glass gilded) pieces incorporating precious metals, dyes and textured Japanese papers to create a uniquely detailed aesthetic. You can see more of Emma’s exquisite work in these previous blogposts.
Emma has done commissioned work for a number of prestigious projects, including private residences and high-profile places such as the Ormer Mayfair restaurant at the Flemings Hotel, London and Spring, Somerset House (which we featured in this post). Recently, Emma has completed a piece for the famous Hotel Adlon Kempinski, Berlin – a luxurious and storied hotel, with a history that stretches back decades! As part of an extensive renovation of the lobby area Emma was commissioned by Jagdfield Design to create a backdrop for the lobby bar. To tie both lobby and bar together the piece contains motifs of elephants, frogs and lotus flowers which feature prominently on the centrepiece of the lobby – a recently restored fountain, a gift presented to the hotel by the Maharajah of Patiala in the 1930s. The stunning, 4 metre wide piece was handmade by Emma and incorporates hand-dyed textured paper and meticulously gilded 22 ct gold leaf.
In addition to her commissioned work Emma and Studio Peascod are now offering a range of handmade, elegant furniture. Each piece incorporates Emma’s signature handmade verre églomisé glass panels, pairing the exquisitely patterned glass with and elegant and clean lines of brass and wood to create stunning contemporary furniture and light fittings.
There are four verre églomisé finishes available in the Highlight Collection.
We rarely get the chance to view the fascinating process of gilding but thanks to Rachael Linton of Sound Vision Studio we get a chance to view a time-lapse of the incredible work and effort she puts into every gilded project.
The project this time is a beautiful Hindu Temple that Rachael has hand-decorated with pastiglia and plaster cast ornamentation before finishing the entire surface using traditional oil and water-gilding techniques. The result is a glorious, incorruptible mirror finish.
“Everything is a miracle. It is a miracle that one does not dissolve in one’s bath like a lump of sugar.” Pablo Picasso
We are lucky to have lots of lovely clients and Robert Grace just happens to be one of them. He is such a positive, inspirational person and totally dedicated to his craft which is why he produces such incredible one off exquisite bath tubs. His story should be an encouragement to all those young people contemplating choosing a career in the craft industries.
A little about the man himself…
Grace of London is a creative designer and manufacturer of unique bespoke furniture specialising in mosaic and gold leaf designs.
Award winning Artist and designer Robert James Grace has turned his attention to highlighting the importance of guiding future artists and designers on a career path where the sky is the limit. His belief, shared by many others is that the creative industries are the driving force that develops and brings wealth into the country. He feels that it is acutely important to guide the next generation of bright imaginative youngsters into the world of craft and that now is the time to show the world that it is possible train and build an army of super skilled artisans who are capable of creating stunning pieces of craftsmanship that will be the envy of the world.
Having started with a city and guilds apprenticeship in ceramic wall and floor tiling some 30 years ago, Robert has travelled the world working for an array of high net worth individuals and landmark properties. After spending many years designing and creating handmade bespoke furniture, predominantly within the area of mosaic finishes, Robert decided to expand his portfolio based around hand gilded glass mosaic pieces and this new direction led to the birth of Grace of London http://www.graceoflondon.com
“My craft has allowed me to work with some of the most talented and creative designers in the world creating beautiful pieces of functional art.”
Typically, each unique bathtub is made from anything up to 15,000 pieces of hand decorated, hand cut glass which is reverse gilded with 24ct gold, 18ct gold, Platinum and decorated with Sworovsky crystals.
Over the years, Robert has built up a team of the finest craftsmen in the world that assist in creating these incredible pieces, two of them are Royal Warrant Holders. This group of individuals are all British former apprentices that have started at the bottom and worked their way to the very top. Collectively they have worked for Royal families and Palaces around the world.
One recently completed project that you may have seen in the press was a bespoke 24ct gold bath tub with a “foam” of 250,000 crystals cascading over the sides. It took up to 12 weeks to produce and at a cost of £100,000 it was snapped up by a Middle Eastern client who wishes to remain anonymous. The client commissioned it from interior designer Celia Sawyer www.celiasawyer.com who worked closely on the design with Robert Grace and his team.
It is always exciting and refreshing to see what work of art Robert produces next and we wish him all the very best in his creative business. Giving such a lot of his time back to youngsters as an inspirational mentor and having such a passion for his craft he deserves the absolute best.
“My message now is to show the younger generation that choosing a career in the craft industries can lead to becoming a hugely skilled, sought after artisan.” Robert James Grace, Grace of London
No more sanding and extensive prep on difficult surfaces!
Made from natural soya alkyd with a small PU content, Whitson’s is a water based, no fuss primer designed to give high adhesion to factory finished kitchens, cabinetry and problem substrates. It will allow you to easily transform any existing painted or sealed surface without hours of preparation and with no unpleasant smell. This Super-Adhesion Primer can be applied directly to tiles, plastic and melamine as well as high lacquer surfaces.
The primer was developed by Cait Whitson and Gibson Donaldson from Carte Blanche Decorative Painters (http://www.decoratescotland.com/) who are Specialist Painters and Decorators with over 30 years’ experience. One of their specialities is transforming cabinetry and furniture. Whitson’s Ltd came about when they had the opportunity to join forces with a really great formulations chemist, Nick Dubbels, who was the catalyst to allow them to invent products that helped solve problems – they are the painters making paint for painters!!!
Cait and Gibson were so frustrated over the years with what they had to work with to re-vamp kitchens, furniture, factory finished doors and contract materials like veneers, foils, melamine etc. that they decided to develop their own product. What they found was that the products on the market that were nice to use, water based with easy clean up didn’t work very well; and while there were ones that worked very well, those were smelly, sticky, difficult to get a good finish with, expensive and ruined brushes!
They wanted something that worked brilliantly, flowed nicely, didn’t affect your health, taint food or leave a home or commercial project smelling terrible. After much research and development, Whitson’s Superior Adhesion Primer was the result! It adheres to many problem substrates – oil based paints, varnishes, plastics and tiles.
Is there anything it doesn’t do? Well there are no particular stain blocking properties; it is designed for interior use – however it can be used outdoors as long as it is not applied in humid or cold weather which will have a delayed effect on drying and curing. Of course testing before working on an unknown substrate is advised.
“This primer is the best adhesion primer we have ever used. Fantastic Cait & to be water based is amazing. Brilliant work!” – Henry Van Der Vijver and the HVArt team give the Whitson’s Superior Adhesion Primer a massive thumbs up!
Makeover using the Whitsons Super Adhesion Primer
Fireplace transformation – painted by Gibson Donaldson of Carte Blanche Decorative Painters
This fireplace was varnished pine and composite moulding and was very shabby. The client was looking for a makeover and wanted it to match her fabulous new radiators in antiqued pewter.
It needed a thorough sand before applying a coat of Whitson’s Superior Adhesion Primer. With it’s great coverage and superior adhesion the fireplace barely needed sanding before the next phase. Once the primer was dry it was caulked and filled as necessary and then a coat of Liquid Metal Acrylic – Warm Platinum was painted over the whole surface. As an aside, if you want to work with metallic paints and brush apply them then you need the right brushes, there are special ones specifically for the Liquid Metal Acrylic paint and they are more expensive than other, cheaper general purpose paint brushes but they are well worth having.
Liquid Metals are dry very quickly and can be recoated in a short period of time. After the first coat Gibson did a quick dry brush over all the high spots that will be revealed after second coat just to solidify the coverage. Then a coat of Liquid Metal Acrylic – Graphite was applied. Gibson masked off the detail and stippled it and then with a damp cloth pad wiped off the high spots to reveal the colour below. Then he painted the flats with the Liquid Metal Acrylic Brushes, wiping back only the edges of the contours.
Then once dry he used a patinating fluid – he made this using General Finishes Black Glaze Effects and a bit of Extender. This glaze dries fast so for this small project it was perfect, the glaze was stippled on and then wiped off with a soft cloth. This left the glaze in the crevices, lending more definition to the carving and enhancing the effect of the highlights. Once dry a coat of Robersons Universal Lacquer was applied over the whole of the fireplace to protect it.
And after four visits of varying lengths we have this finished result and a delighted customer!
We are proud to be sponsoring the incredible Marion Labbez, who will be showing off her beautiful verre églomisé at the prestigious Chelsea Flower show, organised by the Royal Horticultural Society.
Marion Labbez is a London based French artist specialising in verre églomisé. Marion started work as a designer for a London based company of specialist finishers. It was there she started creating patterns and learning techniques which eventually led to a new found love of gilding.
Marion creates custom bespoke furniture for clients, featuring verre églomisé. She further draws influence from her love of London, its environment, people and history. This inspiration allows her to apply contemporary thinking to an age old craft and produce such beautiful work.
Marion will be producing verre églomisé glass panel’s incorporating floral designs, giving the real flowers a run for their money! We are pleased to be sponsoring Marion and wish her the best of luck at the show.
You can view Marion’s site here and view the Chelsea Flower Shows site here.
This week we have a very special project to showcase with all the details and pictures very kindly provided to us by Danni Bradford. Danni has recently collaborated with Ellie Miller, the only professional female surfboard maker in Europe, to create a one-off, limited edition 24 carat gilt surfboard!
Danni and Ellie collaborated to create LUX surfboards in order to explore the gap between art and functionality. As well as gaining admiration for their aesthetic beauty and eye-catching elegance LUX surfboards also gain recognition for their craftsmanship and performance as contemporary wave riding craft. The board itself was inspired by the iconic single fin shape of the 1970’s. The board named “The Aureus” is the first in a short series of one off limited edition surfboards celebrating a rich surf heritage, so watch this space!
The use of our 24 carat leaf in this board marks a first in surfboard construction techniques. The gold is striking yet elegant giving the board a polished and classy look. The use of gold throughout the construction of Aureus enhances the subtle wave of the fibreglass and imbues the curves of the board with a delicate luminosity. We can’t wait to see the rest of the series. To see more of Ellie’s custom-made boards under her “Miller Surfboards” label then you can visit her website at millersurfboards.co.uk
From the Large to the Little!
Danni Bradford is an artist, gilder and surface designer specialising in verre eglomise (the reverse gilding of glass). She produces bespoke decorative and functional pieces from her north Devon studio. You can find out more and view her extensive and impressive range of work at dannibradford.com We particularly love Danni’s intricate 24 carat gold skeleton leaf. As said by her – one of the smallest pieces she has ever gilded! We’re sure quite a difference from gilding a surfboard.
We love supplying to Danni and enjoy her versatility and individual range. We cant wait to see what she comes up with in the future!
Last week we had the absolute delight of receiving this stunning canvas from the very talented Ruth Sadler. After a brief in-office scuffle one person emerged victorious and the canvas is proudly displayed on her wall!
Ruth is one of our much appreciated and creative clients whom we have worked with for some time now. Her style and approach to art is much admired by us here and we love sending her new and exciting materials for her to experiment with! Ruth has worked a lot with our Dutch metal gold leaf and it features in many of her pieces. Its beautiful finish and versatility allows for layered looks with various materials, creating exciting and abstract pieces.
Here are some pieces depicting the great Jimi Hendrix Ruth has created using different metal leaves and gold paint alike to achieve a vintage look. We are also lucky enough to have one of these brightening up our office.
Ruth’s priority in Art is “freedom, freedom to translate emotional value through her brush, not accuracy through measure. By painting like this she finds that she has the freedom that allows the magic to happen, the intrigue to be created and it’s then that the Art introduces itself.”. Ruth’s love of animals (especially horses) presents itself within her work, creating beautiful horses using our gold to give them a very regal finish. The overlapping of the different imitation leaves adds dimension to her piece.
We are excited to see what Ruth will produce next and can’t wait to work alongside her in the future!
To see more of Ruth’s work, visit her webpage at RuthSadler.com or follow her on Facebook.
Rachael Linton is a talented freelance artist and Director of Sound Vision Studio (www.soundvisionstudio.co.uk), who specialises in the creation of artworks using precious metals and other mixed media.
Rachael has been a client of ours for many years and due to her extensive skill base and flexibility we are always supremely confident when recommending her work to clients. Originally from New Zealand, Rachael loves to travel all over for projects – have bag ..will travel!
In gilding terms, Rachael covers the complete skill spectrum with vast experience in water gilding, oil gilding, restoration, chinoiserie and verre eglomise.
A recent project we supplied for was the gilding of the Holy Palki that houses the Shri Guru Granth Sahib (the sacred text and teacher of Sikhism) in an active Sikh temple in Southall, London. 23.5ct Gold leaf was used for this project and the results speak for themselves.
In 2014, we supplied the leaf used for a large project that Rachael was working on, at Westminster Palace London. The work was carried out by eight conservators and gilders in the Queens Robing Room.
One of Rachael’s greatest artistic achievements to date is actually a Guinness Book Record breaker – an incredible piece of work titled 1066 – A Medieval Mosaic – which is set to tour the UK in 2016 to honour the 950th anniversary of the Battle of Hastings. The tour starts in Hastings itself in with the exhibition running from August to October in the crypt of St Mary in the Castle, Hastings. This colossal artwork is the longest steel mosaic in the world and is a complete re-creation of the Bayeux Tapestry with many new scenes painstakingly researched and added. This is a family project of combined talents with Rachael working alongside her father Michael Linton.
Michael and Rachael spent eight years researching historical and contemporary literature on every aspect of 11th century history in order to draw a truthful depiction of the events preceding the Norman conquest of England. This has led to Michael Linton becoming one of the world’s most educated historians on 11th- century medieval history.
Rachael Linton researched the design style to match the Bayeux tapestry and studied the illuminated manuscripts and iconography of the time and meticulously designed the artworks. Michael researched the written stories and documentation of medieval records. As a period piece, it was important that the extension depict the people, events and culture accurately, while maintaining the appropriate artistic style, colour and composition of the original tapestry.
An exhibition not to be missed!
Apart from being an incredibly talented lady, Rachael is always so enthusiastic and a pleasure to work with. She has a genuine hunger for new and exciting artistic challenges.
If you’re interested in retaining Rachael’s services then please contact her at – [email protected]